This Body Is Not for Performance—It’s for Belonging

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For most of my life, I learned to treat my body as something to present, not inhabit.
To manage, mold, correct, and control.
To make palatable, desirable, impressive.
To become something worthy of praiseâbut not always worthy of rest, or safety, or presence.
It wasnât always spoken, but the message was clear:
You are more valuable when you are pleasing to others.
And so, my body became a project.
A performance.
I learned the angles.
I held in my stomach.
I smiled when I didnât feel safe.
I walked into rooms hoping to be seen, but not truly known.
Because to be known would mean revealing all the ways I felt not enough.
The Performance of Femininity
Femininityâat least the way the world taught it to meâwas never neutral.
It was something I had to earn.
Be soft, but not weak.
Be sexy, but not too much.
Be confident, but not threatening.
Be appealing, but never ask for too much.
This wasnât embodiment.
It was survival dressed as elegance.
My worth was often measured by how others responded to me.
Approval became a drug.
Admiration a substitute for intimacy.
But admiration is not belonging.
And performance is not presence.
What Was Lost in the Performance
Somewhere along the way, I forgot how to simply be in my body.
To feel it without judgment.
To trust it.
To rest inside it, without evaluating whether it was too big, too small, too loud, too quiet.
I forgot that this body was mine.
Not a stage.
Not a spectacle.
Not an apology.
Just mine.
A home.
A boundary.
A vessel for joy, grief, hunger, fatigue, laughter, desire, and truth.
The Return to Belonging
I no longer want to live for how I appear.
I want to live for how I feel.
I want to stretch without wondering how I look.
I want to wear softness without shame.
I want to take up spaceâemotionally, physically, energeticallyâwithout editing myself to fit into someone elseâs comfort zone.
Because this body doesnât exist to be looked at.
It exists to carry me through this life.
To let me feel wind on my skin, to dance in my living room, to cry when I need to release, to hold someone I love.
To be grounded when the world feels overwhelming.
To belongâto me.
No Longer Performing, Just Being
There is a quiet kind of power in choosing not to perform anymore.
In walking away from perfection.
In saying:
âIâm allowed to exist without entertaining you.â
âIâm allowed to be messy and still be lovable.â
âIâm allowed to be in this body, as it is, without needing to prove anything.â
This is not rebellion.
Itâs a homecoming.
This body is not a product.
Itâs a process.
A prayer.
A presence.
And more than anything,
this body is not for performanceâitâs for belonging.
There is a kind of exile that happens slowly.
You donât even realize youâve left yourselfâ
until you try to come home, and nothing feels familiar.
For years, I existed in performance mode.
My body became a stage,
and I was trained to be the main actâ
pleasing, palatable, perfect.
It wasnât always explicit.
But I learned, in a thousand subtle ways, that my bodyâs value was tied to how it looked,
how it moved in front of others,
how well it could gain approval.
Even when I was exhausted.
Even when I was hurting.
Even when my body whispered, âPlease stop,â
I kept showing up for the performance.
The Making of a Performance Body
From a young age, I was taught to be mindful of appearances.
To sit âlike a lady.â
To walk âgracefully.â
To smileâespecially when I didnât feel like it.
I was praised for being âpretty,â âthin,â âwell-behaved.â
And I mistook those compliments for connection.
But they were not about meâthey were about my image.
Every movement became calculated.
Every outfit, a silent negotiation: How much is too much? How little is not enough?
I wasnât living in my body. I was curating it.
I trained myself to anticipate how I would be perceived
instead of asking myself how I felt.
The Disconnect
That disconnect didnât just affect how I looked.
It affected how I loved.
How I trusted.
How I let people nearâor kept them out.
I learned to be seen, not to be felt.
To be desired, not necessarily safe.
To be admired, but rarely touched with tenderness.
Touch, affection, even sex, sometimes felt like part of the performance.
Because if you donât feel at home in your body,
how can anyone else truly meet you there?
And if the world keeps rewarding your performance,
why would you ever slow down long enough to notice the ache beneath it?
But ache it did.
The Moment I Knew I Had to Come Back
There wasnât a single breaking pointâmore like a series of small awakenings.
Moments when I realized I wasnât breathing fully.
When a compliment left me empty.
When being desired didnât feel like being loved.
I remember one evening standing in front of the mirror.
I looked âgood.â
But I didnât feel anything. Not pride. Not joy. Just numbness.
Thatâs when I knew: I had become a stranger to myself.
I had lost the language of inner truth, and I wanted to reclaim it.
Learning to Belong to Myself Again
Healing didnât start with affirmations or mirror work.
It started with grief.
Grieving the years I spent abandoning my body to belong to others.
Grieving the little girl who learned to perform before she could speak her own needs.
Then, slowly, I began listening again.
Not to the voices of culture, beauty standards, or internalized shameâ
but to the voice inside my own skin.
I started asking:
What does my body need?
What does comfort feel likeânot look like?
What makes me feel in my body, not outside of it?
Some days the answer was rest.
Some days it was dance.
Some days it was rage.
Some days it was stillness.
But every answer became a thread in the weaving of home.
No Longer an Object, but a Presence
This body of mine is not here for entertainment.
Itâs not here to please every gaze, fit every expectation, or win every unspoken competition.
Itâs here to hold my soul.
To carry my laughter, my fatigue, my orgasms, my fears, my stories.
Itâs here to connect. To move. To breathe.
I am not a brand. I am not an aesthetic.
I am a living, breathing human being who deserves to belong to herself.
Belonging Over Performing
Now, when I look in the mirror, I donât ask, âWill they like this?â
I ask, âDoes this feel like me?â
Now, I stretch without worrying about how I appear.
I eat without punishment.
I dress for expression, not approval.
I still catch myself sometimes slipping back into the performance.
But I return faster.
With more tenderness.
With more trust.
Because I know now:
My body was never meant to be a stage.
It was meant to be a sanctuary.
A Final Note to Anyone Who's Felt the Same
If youâve ever felt like your body was a project,
a prison,
a problem to fix,
know this: you are not alone.
You donât have to earn your worth through exhaustion.
You donât have to shrink, silence, or shape-shift to be lovable.
You donât have to perform to be enough.
Your body is not for performance.
Itâs for presence.
Itâs for joy.
Itâs for belongingâfirst and foremost, to you.
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